WAITING FOR NO MORE

Much Like The Garden of Eden, this is an album full of variety; it is unpredictable, humorous, sad, reflective, celebratory, fun and satirical. In The Hands Of Lunatics is an exploration of the strange, fragile and often contradictory world we inhabit. I wanted to look at the madness that surrounds us - from the cruelty of social media and the abuse of power, to personal guilt, forgotten heroes, lost innocence and the struggle to find meaning in an imperfect world.

The album moves between anger, humour, tragedy and tenderness. It challenges the voices that tear people down, while celebrating those who quietly carry the weight of everyday life. It looks at the lunacy we create, the scars we carry, and the moments of beauty we often overlook.

From the open plains of Dust and Thunder to the haunting memories of In Loco Parentis, the album is a journey through human experience: a reminder that we are all shaped by what we endure, what we remember and what we choose to do with the time we have.

In The Hands Of Lunatics is ultimately a reflection on humanity itself - flawed, complicated, sometimes destructive, but still capable of compassion, courage and hope.

At its heart, Waiting For No More is about time - the things we cannot change, the people we cannot bring back and the memories that remain long after everything else has faded. Yet beneath the melancholy is resilience: a celebration of survival, creativity, love and the simple act of continuing the journey.

It is an album about looking back without being trapped there, recognising the scars life leaves behind while still finding beauty, humour and hope along the way.

The album balances darkness with warmth, moving from the black humour of fallen outlaws and drunken adventures to deeper reflections on ageing, faith, loneliness and loss. It examines the contradictions of being human: our ability to create and destroy, to laugh and grieve, to carry our past while still searching for meaning.